Rich Chance performing live, arms outstretched in front of a screen reading MORE

As seen and heard

Press & Media Press & Media Press & Media Press & Media

What people have written after actually listening — from a sold-out show in Preston to two record reviews that came in cold.

  • The Lancashire Post

    "Chance is a sublime piano player and a hugely talented songwriter."

    Steve Canavan's review of the debut show at The Continental, Preston, called it less a gig than a full production — video and graphics projected behind the band, and an entrance in a giant spaceman costume. He rated the songwriting up there with Billy Joel, Beck, and Ben Folds, and the set closed to a standing ovation.

  • The Gazette

    "The album is a masterpiece."

    Called the show more spectacle than support-slot: Chance made his entrance in a giant spaceman costume, backed by a full band with trumpet and saxophone. The reviewer drew comparisons to Randy Newman and tipped him for bigger stages soon.

  • Powerpopaholic

    "...a unique mix of influences. Highly recommended."

    On Robot Spider Zombie Dog: opener "Dizzy" pulled a Thomas Dolby comparison, "Angelina" got tagged as a slow-burning grower in the Ben Folds vein, and "Azalea Close" was singled out as the record's highlight.

    8/10
  • Poprockrecord

    "...both 'kick up your heels' and 'don't touch that dial' good."

    Called the record "rich in melodic quirks, inventive production, and clever lyrics," with "Azalea Close" picked out again — this time as the should-be single — alongside nods to Randy Newman, Rupert Holmes, and Manhattan Transfer across the rest of the tracklist.

Rich Chance singing at a Korg Grandstage keyboard on stage, lit purple
Live — on keys
Rich Chance taking a bow in a striped suit to an applauding crowd
Live — the bow
Rich Chance playing guitar in his home studio, piano and saxophone in the background
Home studio